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造物的奇迹
- 主演：Margarete Schön Theodor Loos Paul Bildt Margarethe Schlegel Oscar Marion Willy Kaiser-Heyl
- 导演：Hanns Walter Kornblum
- 分类：科幻片
- 地区：其它
- 年份：1925
- 更新：2026-04-07 20:32:50
- 简介：
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.没人知道江氏心里的沉重和惊惧。在最初的震惊期待过后，时间一日日流逝，江氏一想到自己写的那张纸条，就害怕得瑟瑟发抖。
造物的奇迹播出时间：1925
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Leon Winters W发表于: 93小时前头号玩家/死侍/千与千寻/疯狂的麦克斯/毒液/须佐能乎/各种朋克雨露均沾开头整个rap/片尾请个乐队精神小伙孙悟空/页游审美一众人这波啊，造物的奇迹精品视频在线观看这波就是贺岁档，啥热闹都有，啥内容都没。- 唔想郁本郁发表于: 174小时前先不谈剧情只论技术，造物的奇迹原创在线观看Elsa深海中驯服暴烈的水元素那一段，毫无疑问是迄今为止人类动画史上最惊人的场景。怒涛巨浪、破碎的冰雪，海中Elsa驯服马形水元素时二者的形体姿态，把一个只有北欧神话里才能出现的情节纤毫毕现地呈现出来。顺理成章地，Elsa驭水之灵向北，宛若骑行女武神；进入冰河之岛更是加冕为冰雪女神。单凭这一段，可以无视片中其他短板直接给出四星。
- \t^h/发表于: 106小时前剧情牵强，造物的奇迹日韩伦理在线观看人物雷人。我喜欢那个黑胖子
- 匡轶歌发表于: 110小时前反而不知道该讲什么了，造物的奇迹韩剧高清在线观看邱礼涛依旧是邱礼涛，毫不出人意料。既然他能让核弹进港炸青马，对炸弹受害者“见死不救”，在三流商业烂片玩“数字游戏”，在刘德华自恋秀里公开撑私法制裁，还敢明示警队用完即弃，那扫毒3再烂，也肯定有“传统艺能”。单纯讲观感的话，虽然烂的掉渣，但起码比上个月那一堆看了让人想死的东西好多了。
蜉蝣发表于: 54小时前手松四星没问题，但还是不想。公路电影的展现特点之一，即以载具作为移动的封闭空间，对人物关系的构建有天然优势，本片除此之外还剩什么亮点？全程未露相通过细节完成塑造的希琳？父亲形象的转变？两个孩子的精细表演？不，这些都还不够，都不足以彰显与其剧作体量匹配的野心，戛然而止的结尾看似留给了观众更多思考空间，实际是带有强烈指向性的省略号而已。《造物的奇迹高清完整版免费在线观看》拔高了伊朗家庭题材电影的天花板，这也在一定程度上限制了本土电影后续的创作思路。